The demonization of man didn't sit right with me, especially because Paul's feelings for Jules are not only reciprocated but multiplied by her own eagerness to engage in a risky affair with him. Paul pays the ultimate sacrifice by losing out on his relationship with the children he never knew while Jules gets little more than the silent treatment. He's ostracized by women who have their own issues to work out and by teenagers who are too young to fully understand the complexity and reality of the situation. That's what I call the short end of the stick.

The Kids Are All Right wraps up relatively neatly, rewarding moviegoers with a warm dramedy that doesn't bite as hard as it should. There are plenty of elements in the story that could've been focused on in a more contemplative film – the consequences of one's actions, the composition of the nuclear family in the new millennium, etc. – but instead it's a personal tale of love falling apart and the act of forgiveness aiding its characters in putting it back together. I enjoyed the picture because of its well-written dialogue, unique brand of humor and down-to-earth performances, but feel that, like the Kids, it's just All Right. With two critically adored actresses who have seven combined Academy Award nominations between them, the film will certainly attract an audience, but even with an Oscar ceremony that encompasses ten Best Picture nominees, I think it's too early to tell if it will eventually strike gold.

The Kids Are All Right is a movie about a lesbian couple and their two children. While certainly still a hot-button topic in America, this is hardly the first time that gay characters have played a prominent role in a film.

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