Phoning It In: What Your Headphones Display About Your Liking
As of late, it appears every person strolling on the streets listening to tunes on their earphones, what music? We don't get. We assume we realize. Would the punk rocker at the rear of the bus secretly rocking to Britney Spears? Or is the tracksuit-bottomed, highlight-headed teenager awaiting her friends, actually moshing out with Black Flag? The pinstripe power outfit on the train could be a tremendous Public Enemy enthusiast or the local ASBO can be a jazz fan with a soft spot for Coltrane's sax performance.
Those who don't dress in any music-themed clothing design can linger safely undistinguished to the world at large as music customers. Or can they? Listed here are two designs and what they are saying about you:
Skullcandy are an innovative-ish trade name (founded 2003) and designed directly at the postpunk/goth/emo/whatever crowd. The indication is in the name and also the kid-friendly Stencilled graphitti skull brand. Designed to go along with bullet belts, Atticus shirts and thin fit jeans, (the last vestiges of legitimate subculture now comfortably detached and replaced by mere expenditure of image and products in one. Punk's early image, i.e, the flaunting of poverty continues to be overtaken by a generation prepared to use ready-ripped jeans and spraypaint-effect t shirts, I, uh, mean whatever, guy). Skullcandy headphones presented in a spread of garish colors, also as a stark black and white for max application. Given the markup in value, it appears exceedingly unlikely that a consumer would buy these earphones unless it was to create a statement about the music itself. This being (even though these are an eighty year old woman) is way more likely to be listening to My Chemical Romance than they are Mozart.
Sennheiser headphones, distinctive by their less important, expert design are more the realm of the audiophile, the music nut and also the gadget freak. This person, though they could be attired in alike manner to that Skullcandy child, is way more probable to be playing Charles Mingus, a vintage Delta Blues or folk piece, appreciating it the way in which one may a excellent wine, in addition to all subtle cultural nuances therein. This person is serious about music, and his/her disdain for bands of the minute might be equally significant. Imagine a lecture at any second on the genius of Belgian techno or a quantity of obscure Japanese arse-band (NOTE: arse-music is not an actual style... yet)
So, the peripherals we use inside the 21st century say as much about us as our EP collections might. Even when we don't want them to? That definitely seems to be the case, anyway. Next: Why are we iPod customers so bloody smug?
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Those who don't dress in any music-themed clothing design can linger safely undistinguished to the world at large as music customers. Or can they? Listed here are two designs and what they are saying about you:
Skullcandy are an innovative-ish trade name (founded 2003) and designed directly at the postpunk/goth/emo/whatever crowd. The indication is in the name and also the kid-friendly Stencilled graphitti skull brand. Designed to go along with bullet belts, Atticus shirts and thin fit jeans, (the last vestiges of legitimate subculture now comfortably detached and replaced by mere expenditure of image and products in one. Punk's early image, i.e, the flaunting of poverty continues to be overtaken by a generation prepared to use ready-ripped jeans and spraypaint-effect t shirts, I, uh, mean whatever, guy). Skullcandy headphones presented in a spread of garish colors, also as a stark black and white for max application. Given the markup in value, it appears exceedingly unlikely that a consumer would buy these earphones unless it was to create a statement about the music itself. This being (even though these are an eighty year old woman) is way more likely to be listening to My Chemical Romance than they are Mozart.
Sennheiser headphones, distinctive by their less important, expert design are more the realm of the audiophile, the music nut and also the gadget freak. This person, though they could be attired in alike manner to that Skullcandy child, is way more probable to be playing Charles Mingus, a vintage Delta Blues or folk piece, appreciating it the way in which one may a excellent wine, in addition to all subtle cultural nuances therein. This person is serious about music, and his/her disdain for bands of the minute might be equally significant. Imagine a lecture at any second on the genius of Belgian techno or a quantity of obscure Japanese arse-band (NOTE: arse-music is not an actual style... yet)
So, the peripherals we use inside the 21st century say as much about us as our EP collections might. Even when we don't want them to? That definitely seems to be the case, anyway. Next: Why are we iPod customers so bloody smug?
If you cherished this short article and you would like to get additional info pertaining to radio earpieces, kindly stop by http://juliusegan.beeplog.com/364060_2092760.htm.
